LEARN B BOYING EASILY/ B BOYING TUTORIALS/ HOW TO DO B BOYING/ B BOYING STEP FOR BEGINNERS/B BOYING PHOTOS ANDWALLPAPERS/HIPHOP WALLPAPERS I will show you how i learn B Boying at home
Saturday, March 26, 2011
Thursday, March 24, 2011
robot dance
robot dance intro.
The robot is simply the illusion of being a robot. Movements of the robot are normally started and finished with a dimestop (a very abrupt stop), to give the impression of motors starting and stopping, but poppers have also been known to do the robot with a pop to the beat. As long as the illusion of being a robot is maintained, it is considered the robot.
Robot dancing is often considered a subsection of popping because poppers often include the robot in their routines, sometimes adding pops to the beat while maintaining the illusion of a robot, but the robot also exists as its own dance and is sometimes considered a performance rather than a dance when the performer is imitating a robot without any music. When done without music it is considered to be mime, instead of dance. Street theater often featured mimes who did a mechanical man or puppet style illusion, without music. In the late 1960s the style was used while social dancing to funk or soul music. Charles "Robot" Washington was not the first to strictly imitate a robot as a mime, however he and his partner "Robot Ann" were the first to socially couple dance the style to music at parties and clubs, and it was at this point it became a party dance and later combined with other illusion styles to form today's popping style. It is commonly known as "Robotics". Roboting has also been likened to the jazz-era folk dance of puppeting (a style also appreciated in some forms of experimental ballet), whereby the dancer would emulate the mechanical movements of a simple musical box doll.
The robot is simply the illusion of being a robot. Movements of the robot are normally started and finished with a dimestop (a very abrupt stop), to give the impression of motors starting and stopping, but poppers have also been known to do the robot with a pop to the beat. As long as the illusion of being a robot is maintained, it is considered the robot.
Robot dancing is often considered a subsection of popping because poppers often include the robot in their routines, sometimes adding pops to the beat while maintaining the illusion of a robot, but the robot also exists as its own dance and is sometimes considered a performance rather than a dance when the performer is imitating a robot without any music. When done without music it is considered to be mime, instead of dance. Street theater often featured mimes who did a mechanical man or puppet style illusion, without music. In the late 1960s the style was used while social dancing to funk or soul music. Charles "Robot" Washington was not the first to strictly imitate a robot as a mime, however he and his partner "Robot Ann" were the first to socially couple dance the style to music at parties and clubs, and it was at this point it became a party dance and later combined with other illusion styles to form today's popping style. It is commonly known as "Robotics". Roboting has also been likened to the jazz-era folk dance of puppeting (a style also appreciated in some forms of experimental ballet), whereby the dancer would emulate the mechanical movements of a simple musical box doll.
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robot dance
Wednesday, March 23, 2011
Tuesday, March 22, 2011
Monday, March 21, 2011
windmill tutorial,airbaby tutorial,air chair tutorial,headhollow tutorial
windmills,airbaby,headhollow,air chair
Sunday, March 20, 2011
B boying history
B boying history
- It was late 60s , early 70s when people started a sort of b-boying. Their dancing was called "Good Foot" from James Brown's record of the same name. The Good Foot was the first freestyle dance that incorporated moves involving drops and spins, and resembled the beginning s of breaking. The best way to describe the Good Foot is, according to Michael Holman, to imagine a majorette marching in a parade taking steps raised high at the knww but keeping the leg raised at the knee in the air for a beat before dropping it down and simultaneously raising the other leg. Like a stop action drum majorette on beat. As the D.J.s invented new ways to elongate the break beats in the records, dancers had more time to invent and experiment. Soon moves like dropping down to the ground and poppin up again on beat became standard and gave these first generation of b-boys the nickname of "boie-oie-oings." Footwork came in when the boie-oie-oings started using their arms and hands to support their bodies in order to free the feet and legs to do gymnastic steps, shuffles and sweeps. In Brooklyn a new step inspired by these drops was being developed and called "Brooklyn Rock" also known as "Uprocking". Once the first early break moves had been established, a definite style began to develop. The famous first generation of b-boys were "Nigger Twins", "Clark Kent", and "Zulu Kings". Around 1977 breaking was losing its popularirty with black kids and it was about to die.
- However, breaking came back with a new generation of b-boys. It was Puerto Rican b-boys who put new life to breaking and took it into next level. They started to put many higner levels of acrobatics and gymnastics into breaking and invented many new moves. B-boys such as Crazy Legs from Rock Steady Crew who were influenced by Jimmy Lee and Joe Joe, members of original Rock Steady Crew developed and invented the new moves such as backspins and windmills. I want to mention that there are also other b-boys such as Lil Lep from New York City Breakers who should get props by developed b-boying. Also, media stars like Bruce Lee and other Kung Fu film stars and martial artisits had a major influence on b-boying culture. The popularity of Kung Fu films during the mid and late 70s aroudn the world and especially in New York City, has had a great impact on b-boying style. A large number of martial arts moves were incorporated into b-boying. For example, windmills came from a kung fu which is used to get up from the floor. By repeating getting-up move, windmills was born.
- B-boying became even more popular in 80s. It was first introduced to out side of New York CIty and the rest of world by a movie "Flashdance" in 1983. (Before the "Flashdance", there were already movies like "wildstyle" and "stylewars". But the "Flashdance" was the first major movie which featured b-boying.) Even though it was not b-boying movie, the short scene which featured b-boying and popping on a street had a great impact enough to inspire people to start b-boying all over the world. After the "Flashdance", many breaking movies were made such as "Breakin'", "breaking'2", and "Beat street." "Beat Street" also had a great impact because it had a scene of battle between Rock Steady Crew and New York City Breakers. B-boying became very popular as "BREAKDANCE" by many media coverages. Because of this too much media coverage, when media stop showing b-boying on TV, people had a sense that b-boying was only a fad. Many people thought b-boying was dead. Some b-boys stopped b-boying influenced by media, also. Media mistreated b-boying. After 1985 or 86, the winter period of b-boying came.
- Then Resurgence of b-boying happened around 1990. I don't know how exactly it happened. I am sure that it was done by the support of real b-boys who never quit b-boying even during the winter period of b-boying. As far as I know, it was Calfornia where b-boying gained its popularity again early. Nowadays, B-boy events such as B-BOY SUMMIT and ROCK STEADY ANNIVERSARY are organized every year and many b-boys from all over the world get together and keep the culture alive and even try to take it into next level.
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B boying history
Saturday, March 19, 2011
info of freezes ,variants
Freeze
- A freeze is a breakdanc technique that involves halting all body motion, often in an interesting or balance-intensive position. It is implied that the position is hit and held from motion as if freezing in motion, or into ice. Freezes often incorporate various twists and distortions of the body into stylish and often difficult positions.
- Spins are often combined with freezes, and the spins are usually done in the form of kicks. Various handstands ("inverts", "Nikes", and "pikes") can be frozen, and skilled breakers sometimes incorporate the technique of threading into handstands by forming a loop with one arm and leg, then "threading" the other leg in and out of the loop.
- A freeze is a breakdance technique that involves halting all body motion, often in an interesting or balance-intensive position. It is implied that the position is hit and held from motion as if freezing in motion, or into ice. Freezes often incorporate various twists and distortions of the body into stylish and often difficult positions.
- Spins are often combined with freezes, and the spins are usually done in the form of kicks. Various handstands ("inverts", "Nikes", and "pikes") can be frozen, and skilled breakers sometimes incorporate the technique of threading into handstands by forming a loop with one arm and leg, then "threading" the other leg in and out of the loop.
Variants
- There are many different variations of freezes. A common naming convention categorizes freezes based on what part of the body is in contact with the ground.First Freezes was (chin freaks) (Tracks),(Splits), (deadman freeze).(chairs),Thus a "headstand freeze" is done with only the breaker's head touching the ground, and so forth for handstand, forearm, elbow, and shoulder freezes. Also, "one-handed" or "two-handed" can be added to make any name more descriptive. Less intuitively named freezes include:
- Planche - A freeze with your body straddled parallel over the ground, while arms are straight, you use your strength to hold your body weight. A gymnast move made popular by the B-boy V.i.C
- Baby Freeze - The hands are used for balance, with the nearest side of your waist on one elbow and a knee on the other, sometimes swapping leg placement.
- Airbaby - A freeze with the knee resting on the elbow of the supporting arm.
- Chair Freeze - A freeze while you're laying down arched to the floor with the arm stabbed into the back to support the body.
- Airchair - A chair freeze without the head or feet on the floor, usually facing the ceiling, with leeway for many leg variations.
- Elbow Airchair - A chair freeze, performed with hand at the back and that elbow pointed at the ground. Hands and feet are removed from the floor the complete the freeze.
- Double Airchair/Recliners - An Airchair freeze, having both arms in a stabbed position at the back. Only Contortionists and other extremely flexible individuals could be able to perform this move. It is very dangerous, and is not performed often.
- Handglide Freeze - Similar to the Turtle freeze, except only one elbow is stabbed into the abs, the other is out to the side of the body and is either placed on the ground or held above it.
- Hollowback - A more difficult freeze. It is basically a bridge with feet not touching the floor. There are many variations performed from a handstand, headstand, or on the elbows.
- Invert - an inverted hollowback freeze. instead of making a bridge you crunch in your face to your legs so it makes a v shapes as in to "invert" the hollowback.
- Pike - A freeze with one hand planted on the ground while the entire body is perpendicular to the floor with both feet held high to the air.
- Turtle Freeze - Both arms are bent in front of the chest with the elbows stabbing into either the abs or surrounding area. All the weight is placed onto the hands and the rest of the body is suspended above the ground. See float.
Variants
- There are many different variations of freezes. A common naming convention categorizes freezes based on what part of the body is in contact with the ground.First Freezes was (chin freaks) (Tracks),(Splits), (deadman freeze).(chairs),Thus a "headstand freeze" is done with only the breaker's head touching the ground, and so forth for handstand, forearm, elbow, and shoulder freezes. Also, "one-handed" or "two-handed" can be added to make any name more descriptive. Less intuitively named freezes include:
- Planche - A freeze with your body straddled parallel over the ground, while arms are straight, you use your strength to hold your body weight. A gymnast move made popular by the B-boy V.i.C
- Baby Freeze - The hands are used for balance, with the nearest side of your waist on one elbow and a knee on the other, sometimes swapping leg placement.
- Airbaby - A freeze with the knee resting on the elbow of the supporting arm.
- Chair Freeze - A freeze while you're laying down arched to the floor with the arm stabbed into the back to support the body.
- Airchair - A chair freeze without the head or feet on the floor, usually facing the ceiling, with leeway for many leg variations.
- Elbow Airchair - A chair freeze, performed with hand at the back and that elbow pointed at the ground. Hands and feet are removed from the floor the complete the freeze.
- Double Airchair/Recliners - An Airchair freeze, having both arms in a stabbed position at the back. Only Contortionists and other extremely flexible individuals could be able to perform this move. It is very dangerous, and is not performed often.
- Handglide Freeze - Similar to the Turtle freeze, except only one elbow is stabbed into the abs, the other is out to the side of the body and is either placed on the ground or held above it.
- Hollowback - A more difficult freeze. It is basically a bridge with feet not touching the floor. There are many variations performed from a handstand, headstand, or on the elbows.
- Invert - an inverted hollowback freeze. instead of making a bridge you crunch in your face to your legs so it makes a v shapes as in to "invert" the hollowback.
- Pike - A freeze with one hand planted on the ground while the entire body is perpendicular to the floor with both feet held high to the air.
- Turtle Freeze - Both arms are bent in front of the chest with the elbows stabbing into either the abs or surrounding area. All the weight is placed onto the hands and the rest of the body is suspended above the ground.
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info of freezes,
variants
b boying introduction
B-boying | |
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b-boying, often called "breakdancing", is a popular style of street dance that was created and developed as part of hip-hop culture among African AmericansLatino youths in New York City. The dance consists of four primary elements: toprock, downrock, power moves and freezes/suicides. It is danced to both hip-hop and other genres of music that are often remixed to prolong the musical breaks. The musical selection for b-boying is not restricted to hip-hop music as long as the tempo and beat pattern conditions are met. A practitioner of this dance is called a b-boy, b-girl, or breaker. These dancers often participate in battles, formal or informal dance competitions between two individuals or two crews. Although the term "breakdance" is frequently used, "b-boying" and "breaking" are the original terms used to refer to the dance. These terms are preferred by the majority of the art form’s pioneers and most notable practitioners. and, later, among
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b boying
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